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*FRED ASTAIRE COLE PORTER RARE 1933 LONDON GAY DIVORCE PROGRAM "NIGHT AND DAY"*

$ 52.79

Availability: 68 in stock
  • Modified Item: No
  • Original/Reproduction: Original
  • Industry: Theater
  • Return shipping will be paid by: Buyer
  • All returns accepted: Returns Accepted
  • Item must be returned within: 14 Days
  • Object Type: Playbill
  • Country/Region of Manufacture: United Kingdom
  • Restocking Fee: No
  • Refund will be given as: Money Back

    Description

    A rare original 1933 Palace Theatre, London program for Fred Astaire and Claire Luce in the British premiere production of Gay Divorce, with music and lyrics by Cole Porter. The show featured Astaire singing the Cole Porter classic "Night and Day," one of Porter's greatest songs. The show was filmed a year later with Fred Astaire and Ginger Rogers, retitled The Gay Divorcee. Twenty eight pages. Dimensions eight and a half by five and a half inches. Light wear otherwise fine. See the stories of Fred Astaire and Cole Porter below.
    Shipping discounts for multiple purchases. Inquiries always welcome. Please visit my other eBay items for more early theatre, opera, film and historical autographs, photographs and programs and great actor and actress cabinet photos and CDV's.
    FROM WIKIPEDIA:
    Fred Astaire
    (born
    Frederick Austerlitz
    ;
    [1]
    May 10, 1899 – June 22, 1987) was an American actor, dancer, singer, choreographer, and television presenter. He is widely considered the most influential dancer in the history of film.
    [2]
    His stage and subsequent film and television careers spanned a total of 76 years. He starred in more than 10
    Broadway
    and
    West End
    musicals, made 31
    musical films
    , four television specials, and issued numerous recordings. As a dancer, his most outstanding traits were his uncanny sense of rhythm, perfectionism, and innovation. His most memorable dancing partnership was with
    Ginger Rogers
    , with whom he co-starred in a series of ten Hollywood musicals, including
    Top Hat
    (1935),
    Swing Time
    (1936), and
    Shall We Dance
    (1937).
    [3]
    Among his other most notable films where Astaire gained popularity and took the genre of tap dancing to a new level include
    Holiday Inn
    (1944),
    Easter Parade
    (1948),
    The Band Wagon
    (1953),
    Funny Face
    (1957), and
    Silk Stockings
    (1957). The
    American Film Institute
    named Astaire the fifth-greatest male star of Classic Hollywood cinema.
    Cole Albert Porter
    (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became
    standards
    noted for their witty, urbane lyrics, and many of his scores found success on
    Broadway
    and in film.
    Born to a wealthy family in
    Indiana
    , Porter defied his grandfather's wishes and took up music as a profession. Classically trained, he was drawn to
    musical theatre
    . After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical,
    Kiss Me, Kate
    . It won the first
    Tony Award for Best Musical
    .
    Porter's other musicals include
    Fifty Million Frenchmen
    ,
    DuBarry Was a Lady
    ,
    Anything Goes
    ,
    Can-Can
    and
    Silk Stockings
    . His numerous hit songs include "
    Night and Day
    ", "
    Begin the Beguine
    ", "
    I Get a Kick Out of You
    ", "
    Well, Did You Evah!
    ", "
    I've Got You Under My Skin
    ", "
    My Heart Belongs to Daddy
    " and "
    You're the Top
    ". He also composed scores for films from the 1930s to the 1950s, including
    Born to Dance
    (1936), which featured the song "
    You'd Be So Easy to Love
    ";
    Rosalie
    (1937), which featured "
    In the Still of the Night
    ";
    High Society
    (1956), which included "
    True Love
    "; and
    Les Girls
    (1957).
    "
    Night and Day
    " is a
    popular song
    by
    Cole Porter
    that was written for the 1932 musical
    Gay Divorce
    . It is perhaps Porter's most popular contribution to the
    Great American Songbook
    and has been recorded by dozens of musicians.
    Fred Astaire
    introduced "Night and Day" on stage. His recording of the song with the
    Leo Reisman
    orchestra was a No. 1 hit, topping the charts of the day for ten weeks.
    [1]
    He performed it again in the 1934 film version of the show, renamed
    The Gay Divorcee
    , and it became one of his signature songs.
    There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco.
    [2]
    Another account says he was inspired by the Moorish architecture of the
    Alcazar Hotel
    in Ohio.
    [3]
    Others mention that he was inspired by a
    Mosaic
    of the
    Mausoleum of Galla Placidia
    in
    Ravenna
    , he had been visiting during a trip of his honeymoon in
    Italy
    .
    [4]
    [5]
    The song was so associated with Porter that when Hollywood filmed his life story in 1946, the movie was entitled
    Night and Day
    .
    Gay Divorce
    is a
    musical
    with music and lyrics by
    Cole Porter
    and book by Dwight Taylor, adapted by
    Kenneth Webb
    and
    Samuel Hoffenstein
    . It was
    Fred Astaire
    's last
    Broadway
    show and featured the hit song "
    Night and Day
    " in which Astaire danced with co-star
    Claire Luce
    .
    It was made into a
    musical film
    by
    RKO Radio Pictures
    in 1934, starring Fred Astaire and
    Ginger Rogers
    , and renamed
    The Gay Divorcee
    .
    Astaire's sister
    Adele
    retired from showbusiness and married
    Lord Charles Cavendish
    after her last show with Fred,
    The Band Wagon
    (1931). When the producers of
    Gay Divorce
    asked Fred to star in the show, he deferred an answer until he could spend the summer of 1932 wooing his future wife, Phyllis, in London. He finally agreed, and rehearsals began in September 1932.
    [1]
    The show was both Astaire's last Broadway musical (after which he moved to
    Hollywood
    ) and also his only stage musical without Adele. Also in the cast were
    Erik Rhodes
    and
    Eric Blore
    who soon became famous in the early 1930s RKO comedies.
    [2]
    Gay Divorce
    opened in pre-Broadway tryouts at the
    Wilbur Theatre
    ,
    Boston
    on November 7, 1932 and then moved to the
    Shubert Theatre
    , New Haven on November 21, 1932. It opened on Broadway at the
    Ethel Barrymore Theatre
    on November 29, 1932 and transferred to the
    Shubert Theatre
    on January 16, 1933 and closed on July 1, 1933 for a total run of 248 performances. Directed by
    Howard Lindsay
    with choreography by Barbara Newberry and Carl Randall, and set design by
    Jo Mielziner
    , the cast featured
    Fred Astaire
    as Guy Holden,
    Claire Luce
    as Mimi, Luella Gear as Hortense, G. P. Huntley Jr as Teddy, Betty Starbuck as Barbara Wray,
    Erik Rhodes
    as Tonetti,
    Eric Blore
    as Waiter, and Roland Bottomley as Pratt.
    The show opened in the
    West End
    at the
    Palace Theatre
    on November 2, 1933 and ran for 180 performances. It was directed by Felix Edwardes with Astaire, Luce, Rhodes and Blore reprising their roles. They were joined by Olive Blakeney as Gertrude Howard,
    Claud Allister
    as Teddy,
    Joan Gardner
    as Barbara Wray and Fred Hearne as Octavius Mann.